It's a GoodThing on a long haul

It's a GoodThing on a long haul
It's a Good Thing on a Long Haul

Saturday, 22 January 2011

Jan 14 2011 - Mini Murals Workshop for Ashby Art Club @ Ticknall Village Hall

This was a workshop i ran a week ago using imagination and pretty much any medium of choice applied to coarse chipboard. I personally find this surface very intriguing as the medium you use on it also has a definite influence on what emerges.
It is the artistic equivilent of a writer being given a title for a story, and then being let loose with pen and paper.

Ten artists with creative antennae and brushes quivering; ten Chipboards of differing sizes and shapes; ten different ways of seeing what was in the board and then teasing it out. One side was primed, the other bare.

The choices, the choices....

I took photos at various stages to show the development of the pictures but must apologize for the quality of some of these photos. If anyone wants to send me a better photo I will gladly substitute it. And if you finish your picture let me have it and that can go up too. In spite of some photographic failures I hope you can see the huge differences in approach.

Kay Astin started by applying pastel to the board and then observing what slowly emerged... a tree, a hummingbird, flowers, a cockerel, she then used acrylics to bring these features out. I understand there is even a dog lurking behind the tree.



Kay has updated her finished painting now (Feb 27th 2011), and here it is, renamed, Cock-a-doodle-do. What an amazing picture to literally emerge from the wood! Fantastic.



Some used the board with just ink wash. Below are a series of inks painted onto natural wood -
Blue Trees by Dianne Cox - with acrylics used for the white flowers. The ink soaks in, leaving the surface of the wood still visible. Watch out for the finished picture in due course....




This picture below, Mermaids by Jackie Adshead, is done chiefly with pastels, using the rough wooden texture to provide the seaweed and rocks for the drama being acted out!



Lesley Griggs did quite a bit of experimenting, using first her fragment of board and then both sides of the larger board with Trees on the primed side (inks) and Running Man on the wooden side, [acrylic & ink.]

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Janet Hunt used both sides of her board too: acrylic Waterfall on the wooden side & inky
Tuscan Orange on the primed side. (Photos are bad, and don't do them justice)




Japnese Ladies with Kites, by Dave Tremain, were painted in acrylic and then highlighted in pastel. Little Green Riding Hood was painted in a mix of ink, pastel and acrylic on the primed side of the board - all inspired by one bit of wood!



Chris Cliff, declaring he had 'no imagination' at all, deliciously managed to prove himself wrong by painting not only a striking picture and using the strands of wood to good effect, but also creating three totally different moods, or times of day with his Purple Rocks. Quite an achievement.



Teresa Bailey used acrylics as a base and pastels as highlights to produce her Seed Pods, leaving the wood exposed as the background - very effective as you can see.



Anne Devenport was inspired by the shapes in the wood to find cone shapes, possibly buildings, a castle? She kept the wooden board as the background and enhanced it with metalic ink. The finished article is to follow......




This picture started off as a vertical Waterfall, and beccame Beachcombing when turned horizontal. Mary Oliver painted it largely in acrylics, picking out the driftwood in the foreground with pastel. A very intriguing surprise creation.




Viv Pichard painted both sides of the board, pastels and acrylics produced Huts by Waterfall, [right] and on the primed side, Climbers. Viv used the fibre of the board for the fence, roofs and rocks to very good effect. (The quality of these photos do not do justice to them. Note to self: must do better)

Liz Harris used the wooden background of her picture as the backrop for a Forest of Peacocks which kept peering out at her. A voyage of discovery within the wood which got more and more intricate as the day went on. It was fascinating to watch.



It was a day of exploration and discovery, a time to let go, because it is impossible to get this form of art 'wrong'. And not one person did!
A very enjoyable time was had by me, and judging by the feedback I've had since, others had a good time too, so thanks to the Ashby Art Club for making such a Happy Saturday.


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